Women in Medieval Music: The Royal Court and Religious Institutions

Bingen, Hildegard of, et al. “Hildegard of Bingen: Canticles of Ecstasy (Sequentia).” Naxos Digital Services US Inc. Bingen, Hildegard of. “D 154v, R 467ra.” Hochschule RheinMain, https://hlbrm.digitale-sammlungen.hebis.de/handschriften-hlbrm/content/pageview/450568. Bogin, Meg. “The Women Rroubadours.” Female Troubadours, http://websites.umich.edu/~marcons/Crusades/topics/women/Female_Troubadours.html. Campbell, Nathaniel M. “Hodie Aperuit.” International Society of Hildegard Von Bingen Studies, 8 Sept. 2014, http://www.hildegard-society.org/2014/09/hodie-nunc-aperuit-antiphon.html. Comtessa de Dia. (n.d.). Trobaritz Lyrics: Comtessa de Dia. Trobaritz lyrics. Retrieved May 20, 2022, from http://faculty.goucher.edu/eng240/trobaritz_lyrics_Beatritz_Comtesse_de_Dia.html Cyrus, Cynthia J., and Olivia Carter Mather. “Rereading Absence: Women in Medieval and Renaissance Music.” College Music Symposium 38 (1998): 101–17. http://www.jstor.org/stable/40374322. Flanagan, Sabina. Hildegard of Bingen : A Visionary Life, Taylor & Francis Group, 1998. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/unbc-ebooks/detail.action?docID=165185. Kreutziger-Herr, Annette. “Hildegard Von Bingen. Lieder: Faksimile Riesencodex (Hs. 2) Der Hessischen Landesbibliothek Wiesbaden, Fol. 466–481v. Edited by Lorenz Welker; Commentary by Michael Klaper. Elementa Musicae 1. Wiesbaden: Ludwig Reichert Verlag, 1998. 44 [32] Pp. ISBN 3 89500 037 X.” Plainsong and Medieval Music 9, no. 1 (2000): 59–62. doi:10.1017/S096113710021005X. Rosenn, E. (1990). The Discourse of Power: The Lyrics of the Trobairitz. Comitatus: A Journal of Medieval and Renaissance Studies, 21(1). Retrieved from https://escholarship.org/uc/item/9f17k901 Songs of the Women Troubadours, edited by Matilda Tomaryn Bruckner, et al., Taylor & Francis Group, 1995. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/unbc-ebooks/detail.action?docID=214589. Tubb, Evelyn, et al. “A Chantar M'er De so Qu'eu Non Volria.” The Troubadour and the Nun: Sacred and Secular Reflections on the Feminine Mystery from the Middle Ages to the Renaissance, Etcetera.